黄色直播 the author: J is a University Research Professor in English at 黄色直播.
War has been widely used 鈥� 鈥� as a metaphor for dealing with COVID-19. But the metaphor didn鈥檛 come out of nowhere. Writers have long linked war and disease, and not only because war often contributes to the spread of disease.
In my study of British and Irish literature from around 1800, including writing about medicine, it鈥檚 clear that people struggled to understand disease without having evidence of bacteria or viruses. In a chapter on 鈥淐ontagion鈥� in his 1797 handbook on medicine, the physician Thomas Trotter even
Yet the idea persisted. In 1828, cartoon satirist William Heath imagined river water as 鈥�.鈥� In 1854, English physician used what we might now call contact tracing to show that a London water pump was at the centre of a cholera outbreak. The same year, Italian physician used a microscope to identify the cause of the disease.
An easy step from disease to war
Writers were aware of public and research interests in medicine and drew on them, as in the familiar example of Mary Shelley鈥檚 Frankenstein in 1818. Writers also used medical metaphors: for instance, William Blake called the influence of Greek and Latin literature a 鈥�.鈥�
These writers are using figures of speech to link concepts together: war is like a storm, disease is like war, and disease is like a storm, spread through clouds of bad air, raining contagion.
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Metaphors aren鈥檛 simply decorative. They help explain unfamiliar ideas, and help us remember them by making them vivid or surprising. When Shakespeare had Hamlet talk about picking up weapons to fight 鈥�,鈥� he was communicating a sense of overwhelming odds. The metaphor was good enough to stick and is still . Metaphors can also pass judgement, like Blake associating Greek and Latin literature with disease because it promoted war.
War was almost constant for Britain at this time, and writers often turned to thunderstorms to capture the terrible sound of battles. Blake鈥檚 about the American Revolutionary War describes the new United States as 鈥渄arkned鈥� by storm clouds while 鈥淐hildren take shelter from the lightnings鈥� and leaders speak 鈥渋n thunders.鈥� A few years later, in his poem 鈥�,鈥� Samuel Taylor Coleridge wrote about 鈥淚nvasion, and the thunder and the shout.鈥�
Medical writers of the era thought that bad air carried disease because they didn鈥檛 have the technology to see further. But they were able to connect the spread of disease with soldiers and ships. This made it an easy step from disease to war 鈥� with weather still in the mix.
In 鈥淔ears in Solitude,鈥� Coleridge associated British imperialism with a spreading infection, carrying 鈥渢o distant tribes slavery and pangs鈥� 鈥淟ike a cloud that travels on, / Steamed up from Cairo鈥檚 swamps of pestilence.鈥� In 鈥�,鈥� P.B. Shelley wrote of 鈥渧ultures to the conqueror鈥檚 banner true 鈥� whose wings rain contagion.鈥�
King Cholera goes to war
Two hundred years ago, disease wasn鈥檛 an 鈥溾�� or a 鈥渓ittle animal鈥�. It had power to kill, much like the kings who sent armies around the globe.
In her influential 1792 essay, , English writer Mary Wollstonecraft wrote that 鈥渄espots鈥� are the source of a 鈥渂aneful lurking gangrene鈥� and lead to 鈥渃ontagion.鈥� A quarter of a century later, the began.
In John and Michael Banim鈥檚 1831 poem 鈥�,鈥� cholera doesn鈥檛 just 鈥淏reathe out the breath which maketh / A pest-house of the place.鈥� It is a mercenary working for Europe鈥檚 monarchs: 鈥淜ings!鈥搕ell me my commission, / As from land to land I go.鈥� Others, like English cartoonist John Leech, called the disease Lord Cholera or King Cholera.
John Leech鈥檚 1852 cartoon, 鈥�,鈥� relayed a message we鈥檙e hearing now: . The 1853 poem 鈥�King Cholera鈥檚 Procession鈥� also details the unsanitary conditions of the urban poor while condemning 鈥淭hose that rule鈥� for being King Cholera鈥檚 鈥渇riends.鈥�
In her 1826 novel about a devastating pandemic, , Mary Shelley also links rulers, war, and disease. The plague 鈥渟hot her unerring shafts over the earth,鈥� a shower of arrows, and becomes 鈥淨ueen of the World.鈥� Shelley idealizes the leader 鈥渇ull of care鈥� who doesn鈥檛 want victory 鈥� only 鈥渂loodless peace.鈥�
The coming storm
To these writers, war was a metaphor for the problem, not the solution.
In our time, business media suggest 鈥溾�� are overused. We have television shows like Robot Wars and Storage Wars, training sessions called 鈥渂ootcamps鈥� and elections in 鈥渂attleground states.鈥�
War is all too real and devastating in many parts of our world. But as a metaphor it is 鈥� perhaps no longer vivid, no longer explanatory. Writers such as Coleridge, the Shelleys, and Blake may have seen close connections between war and disease, but their work also hints at another possibility.
Instead of talking about a war on COVID-19, let鈥檚 consider those storm metaphors. We need to stay inside and wait for it to pass.
And, while we are, perhaps we can also look to the past for help in understanding our present. Before they had evidence of germs, they could see that war and inequality spread disease.
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